Pottery Depot, Logo
Tour Our Showroom

Terracotta Planters from Classical Greece, Italy, Spain & Mexico

Terra cotta planters are made from one of the very first materials used by the human race. Terracotta clay continues today as the most popular material for planters. Although their appeal is undeniable, terracotta pots need a little extra care to ensure they last a long time in your garden. Look for the thicker, rather than the thin-walled planters, as they are more durable, stable and chip-resistant.

In addition to special attention when handling your terracotta pots (sometimes spelled terra cotta or terra-cotta) to avoid chipping or cracking, you will usually need to water your plants more often, as terracotta, clay and earthenware tend to dry out more quickly than other planter materials. When you first plant your container, it is a good idea to pre-soak it so it does not absorb moisture from the potting soil and rob the newly planted roots.

Terracotta pots are typically unglazed and low-fired, and remain porous after firing. Some may have a transparent glaze which reduces or eliminates porosity. Glazed planters, referred to as ceramic or stoneware, are non-porous and will hold moisture longer. Look for pots that are marked as frost or freezing resistant as these are better able to withstand extremes in temperatures.

Source: www.all-about-planters.com

Outdoor pottery add style and color ~ they require a little more care, but are well worth the effort

pottery planters is a great way to create a color theme on your patio, balcony or in your garden. Glazed stoneware pots have a variety of finishes from matte, textured surfaces to brilliant glossy color. Keep in mind, choosing pottery planters to compliment the textures and colors of plants takes careful consideration to create a pleasing, harmonious look.

Stoneware pottery planters also require more careful handling and maintenance. Normally, ceramic garden pots will not withstand the cold temperatures of some of our winters and must be brought indoors when the cooler weather arrives. pottery planters also chip more easily than other planters, so must be handled carefully and placed in a stable location—they can serve double-duty as both indoor and outdoor planters and may often be a great way to tie your indoor and outdoor decor together. Look for contemporary and classic styles in faux or ceramic look-a-like planters that offer the benefits of the look of ceramics without the fragility or weight for your patio or garden setting.

Source: www.all-about-planters.com

Garden Planters & Flower Pots ~ do you know which outdoor planters are ideal for container gardening

Garden planters, outdoor flower pots and window boxes come in a large variety of materials, styles and sizes—wood, ceramic, terracotta, fiberglass or resin, clay, concrete and metal—there are so many choices! But did you know that the characteristics of each type will make some better-suited than others.

Making the right choices in both planters and plants for the growing conditions, location and size of your container garden will make a big difference in your results.

New production methods and materials result in outdoor planters that are more resilient to extreme weather, lighter in weight and bulk, and offer a greater variety of decorative styles, textures and colors. Look for innovations such as self-watering features, illuminated or extra large and lightweight outdoor planters.

Source: www.all-about-planters.com

CHU ĐẬU CERAMIC – Vietnam Pottery

Chu Đậu ceramic is a traditional one in Việt Nam, made in Chu Đậu and Mỹ Xá, Nam Sách

district, Hải Dương province.

Chu Đậu ceramic was founded and flourished during XIII-XVII centuries. It rapidly developed in Lý, Trần, Lê, Mạc dynasties. Chu Đậu ceramic’s products were brought to many places in the world. People have recently gained more than 300,000 Chu Đậu ceramic antiques in a ship that came to Turkey but had sunk in the sea near Chàm. Island. Nowadays, Chu Đậu pottery is preserved at 46 famous museums in many different countries. Chu Đậu ceramic depicts unique shapes, special sense of beauty, high technical level and aesthetic value of Vietnamese craftsmen of our ancestors.

Chu Đậu traditional ceramic began strong revival with the presence of Chu Đậu Ceramics
Enterprise in 2001. There are now hundreds of young descendants working at Chu Đậu Village.

Chu Đậu pottery is ancient, fine in glaze, elegant in shape, flexible in pattern. It is ranged among beautiful ceramics of Việt Nam as well as the world. Chu Đậu ceramic depicts the gentle beauty of Vietnamese people and symbolizes for the Red River delta with 4000 national historical chronicle.

The most special thing of Chu Đậu ancient ceramic is HOA LAM (Deep-Blue Flower) vase and TỲ BÀ (Moon-shape lute) vase. They are called Father vase, Mother vase, representing for Phồn Thực (Good Reproduction) belief – Yin and Yang – Heaven and Earth – Husband and Wife. One bearing the feature of TỲ BÀ vase symbolizes the Yin (negative), the Earth, Mother manifesting grace and juvenility of Vietnamese woman. The LẠC VIỆT bird feathers surrounding the mouth of the vase show the tradition of descendants of Fairy and Dragon; On the vase shoulder, there is a pattern of five basic elements; A set of picture of four seasons depicting the four seasons (Pine, Chrysanthemum, Plum, Bamboo) and BÌNH THAN (name of a river wharf) waves is the common topic on vase body; Vase foot is decorated with lotus petals, a national character to praise Buddhism – the most popular religion of Việt Nam and Việt Nam beauty. HOA LAM vase represents for Yang (positive), the Sun, Father, Pillar. On the other hand, it is the foundation for family, and further more universe; vase body is a great combination between decoration of marguerite-a symbol of nobleness and gentle people.

Chu Đậu pottery is considered as wise, quintessential one: Deep bearing spirit culture value, human culture mark of Buddhism, Confucianism, Taoism; ceramic’s patterns help the spectators feel the national character, wild animals, plants and trees, flowers and leaves, silk and satin, mountains and rivers of Vietnam. At an auction held in USA, a 24cm high TỲ BÀ ceramic vase was sold with a record price of 521,000USD; The ancient HOA LAM vase has been being kept on Topkapi Saray Museum in Istanbul, Turkey and being insured US $1 million.

Source: scribd.com

01 day at Phu Lang Ceramic Village – Vietnam Pottery

Phu Lang Village is located in Phu Lang Commune, Que Vo District, Bac Ninh Province and about 60km from northeast of Hanoi.

Phu Lang craft village is situated at the poetic Cau River. It impresses tourists with its simplicity. Among dozens of craft villages in the Cau River area, the cradle of the Red River civilisation, Phu Lang is well known with many ceramic artisans. For years, the village seemed unchanged. However, since the Saint Patron of ceramics making, Luu Phong Tu, brought the craft from China to Phu Lang and taught his children and co-villagers to make ceramic articles, dozens of generations of craftsmen have settled in Phu Lang and earned their living by practicing this occupation.

Many tourists like travelling to the village because they have a chance to make ceramics themselves. Clay, the materials used to make ceramics, is bought from other places and transported to the village by boat. Tourists to the village can stay at villagers’ homes to enjoy the peaceful atmosphere, see the ceramic kilns mushrooming along the dykes or on the low hills near Luc Dau Giang, facing the Cau River which runs all the year round.

For years, Phu Lang ceramic ware has been on sale together with those ceramic articles made in Bat Trang, Tho Ha, Huong Canh, Phan Thiet, Dong Nai and Mong Cai, other well-known ceramic making areas. However, the products of Phu Lang are much sought after by customers throughout the country due to their durability, diversity and unique enamel colours of eel skin, purple, pink, black, yellow, frog skin,… A special enamel, called shrunk enamel, is only made by these two artisans. At different temperatures, this enamel produces different natural designs and diverse items which greatly attract buyers.

Phu Lang ceramic products are of high quality because they are dried in the traditional kiln called the Rong, which is specially constructed and uses dry wood as fuel. The kiln is built in the shape of a lying fish, 2.3 m (at the widest point) and 1.8m (at the narrowest point) in width and 2.5m (tallest) and 1.8m (shortest) in height. There is no support pillar inside. The kiln vault is made of brick.

On average, one batch includes 700 main products, such as jars, basins, pots,… and 1,000 -1,500 extra items such as bottles, water troughs and pots to cook traditional medicine. The products are tempered at more than 1,000ºC. It is because of the result of the high temperature-resistant red clay, the finished products are not deformed after being fired and baked.

Phu Lang ceramic products have quickly found a niche in both domestic and foreign markets, including the Netherlands, Denmark, England, Sweden and Thailand.

Source: trekearth.com

Coming to Thanh Ha – Vietnam Pottery Village in spring time

A festival to worship the ancestor of Thanh Ha Pottery Village in Hoi An City, Quang Nam Province was held at Nam Dieu Temple in Thanh Ha Ward Wednesday morning on the tenth day of the lunar calendar.
From early morning, the villagers prepared for the feast to worship the ancestor at home to take part in the procession from Thanh Chiem Communal House to Nam Dieu Temple.

The worship ceremony was celebrated in a boisterous sound of gongs and drums surrounded by fragrant smells of aloe wood. Elders and villagers presented offerings to worship the ancestor of the pottery profession for his great contribution to build the village and to teach and preserve the traditional profession. People also prayed for good weather, peace and development for their career.
The festival includes traditional boat racing and many contests such as polishing pottery, shaping 12 animal designations, rice cooking in an earthen pot, breaking earthenware pots and singing folk songs.
The 500 hundred year old village is three kilometers from Hoi An City. The ancestors of this pottery village were the Thanh Hoa people coming to settle down.
Some famous and sophisticated products of the village are earthen pots, basins, teapots, jars, mortar and candlesticks. Artisans of Thanh Ha Village also made bricks and tiles to build many architectural constructions in ancient urban Hoi An. These artisans were invited by kings of the Nguyen dynasty to Hue to manipulate special products for the imperial palace’s daily activities. Since the 16th century, Thanh Ha Village has confirmed its prosperity and fame in pottery products.
Thanks to the development of Hoi An’s tourism, this traditional craft village has recovered with the great desire of artisans to revive it. Many designs and products are created to answer the demand of customers and the tourism sector such as to he in shapes of 12 animals, red-pottery lanterns, flower pottery bricks, bas-reliefs and masks to decorate walls and fences, in which some are exported to foreign countries.
Since 2001, Thanh Ha Pottery Village has been a tour for people visiting Hoi An City. Tourists not only contemplate the landscape but also shape and polish pottery products. About 10,000 domestic and international tourists visit the village each year.

(Source: Saigon times)

“Pottery Road” in Hanoi sets a Guinness Record

The World Guinness Organization has recognized the “Pottery Road” in Hanoi as the World’s Longest Pottery Picture, according to the painter-journalist Nguyen Thu Thuy, the project’s initiator and one of the Top 10 typical faces of Hanoi.

The Certificate is expected to be presented in Vietnam during the visit of world experts from October 2nd to 5th.

The “Pottery Road” project, starting in 2008, is nearly 3,950 meters in length and about 7,000 s.q.m in area. Stretching from An Duong to Vạn Kiep gates, the picture features Vietnam’s art and cultural heritages via patterns under Ly, Tran, Le, Nguyen dynasties and on brocade; and the relationship between Vietnamese and international children under the theme “Hanoi-city for peace”.

The picture is based on the quintessence of VietNam Pottery traditional villages of Bat Trang, Phu Lang, Chu Dau and Binh Duong.

The final part of the picture is being processed and scheduled to be inaugurated on September 25th.

Source: Vnexpress

Bat Trang pottery – VietNam Pottery losing its character?

Some people visiting the Hanoi-based Bat Trang pottery village recently have been disappointed by the mixture of different styles of pottery being sold. Even Chinese products are being sold under the name of Bat Trang. Is Bat Trang losing its identity as a traditional pottery village of Vietnam?

Those who have some knowledge about pottery can easily see the change in Bat Trang when they visit the village’s pottery market. Many stalls have strange products bearing the styles of other kinds of pottery, for example Chu Dau, Phu Lang, Cham, etc. The market also sells products imported from other provinces and from China.

Bat Trang pottery is famous for its manual production, which shows the creativeness of craftsmen and special skills handed down from generation to generation.

Based on the quality of materials, the shape formed by hand on turning tables, and the use of special enamels, Bat Trang pottery has its own special characteristics: a thick and sturdy body, milky and ivory white enamel.

As Bat Trang pottery is made by hand, there is not a massive quantity of products put out. Patterns on Bat Trang products incline towards dictation so clients highly praise Bat Trang pottery for its unique design.

Fired at a high temperature (over 1,000oC), Bat Trang pottery works have special enamels and are very durable. However, Bat Trang craftsmen have recently learnt new techniques: drawing patterns on products that are burnt cursorily and then firing the products again or using imported decals with ready-made patterns. These techniques make pottery products look good but they are not Bat Trang’s tradition.

Imitating other pottery styles is another problem, disagreed with by Bat Trang craftsmen.

A senior pottery maker in Bat Trang, Nguyen Tien Dat, said that some families producing and selling potteries in other styles can help diversify the numbers of products, but that is not art and creativeness.

Swapping brand for short-term gain

Neither local nor foreign customers like Bat Trang’s multi-styled products.

“If I had wanted Phu Lang pottery or another pottery style, I would not have come here to buy pottery. I wanted to come to Bat Trang to buy unique products of Bat Trang,” said Nguyen Anh Minh, a customer at the Bat Trang pottery market.

Pottery maker Nguyen Tien Dat said multi-styled pottery products have appeared in Bat Trang because some families want to diversify their products. Pottery products of other styles are produced on a massive scale (burned at 800oC) so their prices are lower than Bat Trang originals.

Another pottery craftsman, Nguyen Van Sao, said firing potteries at low temperature can help cut costs. Current pottery kilns use gas. At temperatures below 900oC, the fuel required is not great, but a lot of fuel is needed to reach temperatures of over 900oC. The production costs of pottery fired at lower temperatures is 40-50% lower than those of original Bat Trang products.

Sao said Bat Trang pottery is baked at a high temperature so it is durable and toxic chemicals in clay and enamel are eliminated.

Source: newsvietnam.com

Ceramics business in Vietnam (Vietnamese Pottery)

In recent year’s, Vietnamese ceramics have rapidly developed, both in terms of quantity as well as quality. Main production centers are Bien Hoa (Dong Nai province), as well as Binh Duong and Vinh Long provinces in the South, whilst in the North Bat Trang (Hanoi), Phu Lang (Bac Ninh province) and Dong Trieu (Quang Ninh province) are leading the market. The range of products available is increasingly growing in diversity, mid craftsmen express their creativity in terms of shapes and decorative patterns in the production of items such as pots, jars that tell of the abundance of nature, elegant or plump flower vases with narrow or large mouths, bottles with necks of various sizes, tableware and house-ware – bowls and plates, cylindrical or flat mid round tea pots, tiny cups, etc. Decorated pieces including decorated dishes, statues, animals and others indoor and outdoor articles etc, me also contributing to the current success of Vietnamese ceramics and to the delight of its customers.
Today, there are more than 1,000 producers throughout Vietnam, most of them being private enterprises. Around 50 of the larger ones meet European standards, mid Vietnam produces some 250 million pieces of handicraft ceramics annually, of which 175 million me made in the South. Due to a large number of dynamic producers, Vietnamese ceramics me penetrating into every market of the world. Its export turnover is increasing every year. From USD98.6 mil in 2000, it reached USD107.9 mil in 2001 and USD121 mil in 2002. Major export markets are Hong Kong, Japan, Singapore, countries of the European Union, America and Australia.

Vietnam pottery – Bat Trang pottery village

Hanoi Times – Bat Trang pottery village-Vietnam pottery has always been an appealing destination for local and foreign visitors, but now tourists flock to the traditional craft village in Gia Lam District not only to buy pottery, but to try their hand at making and decorating their own.

New services

Walking through Bat Trang these days, you will pass a number of shops inviting visitors to shape clay into different animals or to make pottery items themselves.

“They can create what they like, from simple things such as pots or bowls, to vases of different figures or to shape clay into animals such as cats, mice, buffaloes or cartoon characters,” said Nguyen Van Che, owner of a pottery shop.

While it is one of 30 pottery shops offering this do-it-yourself service, Che’s shop was the first in the village to take advantage of this trend back in 1994. “About ten years ago, people paid little attention to this kind of entertainment. But now, it has become attractive to not only local people, but also foreign tourists, particularly the youth,” he said.

Kneading clay into animals and cartoon characters and making pottery has become a fun activity to let loose after a long week

“After a week of hard study, coming to Bat Trang to try my hands at making pottery products is effective in easing my stress. You can form what you like, from simple animals such as a mouse or a fish to complex cartoon characters. If you are skilful, trying to become a potter for a day and make various pottery items will give you a great feeling that you will hardly find during your daily work or study,” said Trinh Phuong Linh, a student from Ha Noi National University.

For many people, sculpting pottery is not only entertaining, but helps improve creativity.

“Do not think it is dirty. Your hands, or even your clothes, can be covered with clay, but you will find it exciting to become an inventor, who tried his best to create pottery products of various shapes,” said Nguyen Manh Hung, a student from Ha Noi Fine Arts University.

“Particularly, I have a feeling of coming back to my childhood when I happily played with clay. It is a means of entertainment. That is the reason why I often go to the village during the weekend and spend all day kneading clay or making pottery products in a quiet place, staying far away from pressure and the city’s noise,” Hung said.

With wet clay, a basin of water and a turn-table, you are ready to start creating. However, making pottery is not easy. Some people spend 5 hours working on a vase or a bowl, but it never seems to come out right; one small mistake, and their piece is ruined.

“I spent two hours creating a vase but it looks like a cup – no, a bowl, no-I do not know what to call it now. Maybe I will try to make a plate,” said Le Thu Hang, 20.

“Their products are not perfect, like professional potters are, but visitors still feel happy as they complete the work,” said Che.

After the pottery is finished, it will be baked for 10-15 minutes. Afterwards, visitors can paint and decorate their items. They can then buy their creations at a price of VND10-40,000 (US$0.60-2.30).

Visitors who don’t want to make their own ceramics can decorate pre-made pottery, an activity especially popular among children.

“It is wonderful. I can paint these cartoon characters in different colours,” said Nguyen Thu Phuong, 7, showing off a princess in a yellow hat and red dress, which she painted.

For foreign tourists, making pottery also deepens their understanding of Vietnamese culture.

“This is the first time I visited this traditional craft village and the first time I’ve tried my hand at making pottery. It’s so great, although I cannot do it well. Just trying it makes me understand how hard the work is and how skilful local craftsmen are,” said Heidi Stegner from Germany.

The village welcomes an average of 500 visitors a day, but on weekends or holidays, the figure reaches 3,000-5,000, according to Ha Van Lam, chief executive officer of the Bat Trang Tourism Company.

“The village is focusing on diversifying its services to attract more tourists. Providing visitors a chance to try their hand at creating ceramic items themselves was developed ten years ago and proved attractive to both local and foreign holiday-makers. Each shop supplying this service welcomes around 15-20 visitors each day,” he said.

Ancient art retained

700-year-old Bat Trang Village, about 10km northeast of Ha Noi on the left bank of the Red (Hong) River, has a long history of producing traditional ceramic products.

Local people first chose Bat Trang to develop the craft of ceramic making, because of the area’s natural porcelain clay and its location on the Hong River, which made it easily accessible by water.

The craft has continued to develop through the years, and now the village has thousands of kilns firing round the clock. Bat Trang ceramics are traditionally decorated with images which reflect Vietnamese history, daily activity and spiritual life: paintings of dragons, phoenixes, inscriptions, floral designs, images of people and landscapes.

Local artisans have worked hard to diversify their products, making not only objects used for worship and household items, but also fine art and high quality porcelain.

With unique porcelain clay, a secret enamel recipe and unparalleled artistry, Bat Trang pottery has become valuable goods revered by both the domestic and international communities.

The village’s products have earned a firm foothold in foreign markets, including Japan, the US and Europe. Pieces of ancient Bat Trang ceramics can be found in major museums across the world, including the Royaux museum in Belgium and the Guimet museum in France.

Since 2002, Bat Trang artisans have been part of the Bat Trang Ceramics Association to boost production and marketing. The association has helped local people and ceramics businesses get information about the market, learn of advanced technology, trading options and opportunities to strengthen their competitive edge.

Source: VNS

Get Adobe Flash playerPlugin by wpburn.com wordpress themes